Categories
Profiles in Stone

The Master Builder Revisited

The Master Builder Revisited
Jim Bambridge at West Front of Cathedral – Photo courtesy of Doreen Clark

(We are grateful to Doreen Clark, James Bambridge’s sister for the information provided in this post. She has written to us from Kirk Ella, East-Riding of Yorkshire.) Here then is the Master Builder revisited, Part One.

Jim was born inTooting, a district in south London on February 10, 1928. As a lad he enjoyed swimming and diving, sang soprano in the choir, played the bugle and took up fencing. For pocket money, he and brother Ted would go to Tooting Market and get empty wooden crates. They chopped them into small pieces and sold the bundles door to door in the neighborhood for kindling. When he reached 14 years of age the family decided that he would follow older brother Ted into an apprenticeship at an electrical engineering firm. Jim announced, however, the he was going to Trollope & Colls and gain an apprenticeship there. He also attended evening classes at the Brixton School of Building.

As an apprentice he had to take exams and was delighted as he’d gained a first. The piece was a small headstone with a Celtic cross. He was now a third generation stone mason.

Stonework at Trollope and Colls yard for the WRI - Photo Wellcome Collections
Stonework at Trollope & Colls yard, Wandworth, South London for the WRI – Photo Wellcome Collections

Off To Work

When sister Doreen was 8 or 9 years old, her parents took her to the cinema. “The News” came on first and there on the screen was Salisbury Cathedral. There was a group of 3 or 4 masons and there in front was Jim. She shouted, “Mum look, there’s Jim!” She was so excited to see him.

Jim was happy when he was working, but frustrated that when he applied for a position he got the same answer, you are too young for that job. So, much to his parents surprise he came home one day to tell them he’d bought a ticket on the Queen Mary, and was off to the States.

“Over there you would be given the job, age not considered, not with my credentials”

-James Bambridge

Jim settled in Hamilton, Ontario, married and had plenty of work. He eventually returned to the UK and lived in Putney. His chisel has been applied to the most historic of buildings including:

  • Mansion House, London – Home and Office of the Lord Mayor of London
  • Lambeth Palace London – Residence of the Archbishop of Canterbury
  • Buckingham Palace, London – Repairing war damage
  • The Houses of Parliament
  • Christopher Wren’s spire on St. Dunstan’s
  • St. Johns Cathedral, Newfoundland – Restoration of North America’s oldest cathedral
  • Liverpool Cathedral – Ten years at Liverpool, it completed in 1978
  • Wells Cathedral

Unknown to him, emissaries from St. John the Divine had sought him out, looked him over, and asked about him. He was busy on the west front of Wells Cathedral when he was invited to travel to New York.

Next Week, the rest of the Master Builder revisited story…

Categories
Profiles in Stone

Angel Escobar’s Journey from Harlem

Angel Escobar's Journey from the streets of Harlem
Angel Escobar Carving Intricate Star Shape for Gablet – Photo by Robert F. Rodriguez

The photo above showcases Angel’s ability and artistry as a stone cutter. Angel Escobar’s journey from the streets of Harlem to Lead Cutter for Cathedral Stoneworks is one of perseverance and personal pride.

Angel Escobar's Journey from the streets of Harlem
Angel Escobar – photo from Cathedral Stoneworks Records

In his own words…”I never thought I would be working for this church. When I was small, I used to look at the church from way down there, from East 112th Street, and wonder what that big thing was. I was hanging out on the streets a lot by the time I was in my teens. My mother had died, and I dropped out of school. I had to do for myself.

Then I heard about this street gang, the Renegades. Me, I didn’t like being in the street. So when I heard the Renegades had given up their chains and stopped fighting to do something for the community, I found out about it. There was a housing training program on the Lower East Side that got kids off the streets. The people who ran the program wanted to save a lot of tenement buildings in the neighborhood. I joined up as soon as I dropped out of school, and got training and a job remodeling those old cold water flats.

Angel Escobar with Jeep Kincannon
Angel Escobar with “Jeep” Kincannon on Tower – photo courtesy Joseph Kincannon

On to the Cathedral

It was a good training program. Professionals taught each trade: sheet rocking, carpentry, masonry, plumbing, bricklaying, stucco, cement, wall. I got my mason’s certificate there and did bricklaying for four years. But the man I was working for went broke, and he recommended that I apply to the Cathedral’s building program. I started out here as a trainee. For two years I moved stones, stacked stones, drove the crane and the forklifts. Heavy work, but it was just a beginning.

I’ve been here ten years now. Stonecutting is a lot different than mortaring brick. At the beginning I used to get angry when I couldn’t get it right. It takes about five to six months to get down the use of the hammer, punching. I was in the carving shed for three years, learning how to carve. I like the skill, working with your hands and your mind. I’ve done all sorts of stones here, so many.

Angel Escobar's Journey From the streets of Harlem
R-L Angel Escobar, Bricklayer; Dean Morton; Alan Bird, Master Mason; Poni Baptiste, Stone Cutter; Eugene Smith, Bull Gang – Photo by Alexander Szabo

Ten years ago, I was really surprised when they accepted me. I thought, wow, I’m going to cut stone? On that building up there on the hill across town? And now I’m lead cutter, teaching the apprentices, and still learning.” Angel Escobar’s journey from Harlem is one he takes enormous pride in.

  • Angel Escobar’s words are from the Cathedral Stoneworks personnel profiles.
Categories
Divine Stone

The First Five Stones for the Southwest Tower

First Five Stones for the Southwest Tower
Chris Hannaway with his five apprentices and their first stones

Pictured above is a proud Master Mason, Chris Hannaway, with his charges. With Chris are Timothy Smith, Linda Peer, James Jamerson, Jose Tapia and Manny Alvarado. The first five apprentices are with the first five stones for the Southwest Tower. These stones are all destined for the “A” zone of the tower on the Western face. Their numbers represent where they will go based on the construction drawings.

A Zone drawing detail
A portion of the west elevation detail

The four-sided tower known as the Southwest Tower or the Tower of St. Paul would contain over 12,000 stones. For organization and control purposes there were 11 zones and a pinnacle. The “A”, or first zone is fourteen feet high. It starts at elevation 239’3″ and ends at elevation 253’9″. On the construction drawing there are the dimensions and a discreet number for each stone. These first five stones are from the A zone, Western elevation so the number WA25 would tell the setters, exactly where that stone would go. These stones were cut before the administrative systems were complete, so job tickets which were later used were not the routine. The apprentices cut them in a training environment. A recreation of the job ticket for stone WA25 is below.

The Job Ticket

Job Ticket for First Stone on the Southwest Tower
Recreation of Apprentice Jose Tapia’s First Stone Job Ticket

It is likely that Jim Bambridge was doing all the setting out work at this time. He would have assigned the first five stones for the Southwest Tower based on the fact that they were ashlars and fitted the availability of the raw stones in the stoneyard at the time. They were not sequential and these numbers are found scattered about the western elevation of the “A” zone.

The First Five Stones
Apprentice Jose Tapia working on his first stone under Chris Hannaway
  • Special thanks to Jose Tapia, Stephen Boyle, and Pamela Morton for this information and photos.

Categories
Divine Stone

One More Favorite Photo

One more favorite photo
Dean Morton visits with stone cutter James Jamerson, James McKnight in foreground – Photo by Robert F. Rodriguez

The man who put the whole rebuilding and apprenticeship program in place moved along and started multiple programs and participated in many causes. He did not, however, move away from his love and connection to the stoneyard. He was proudly there often. When we saw this photo, we immediately wanted to overhear the conversation. Was it a spirited discussion of an ecclesiastical issue? Was it about the building of great cathedrals, or was it about their favorite food cart and lunch plans? This one more favorite photo made us stop and imagine.

Morton up top
Dean James Morton up on the tower construction site

“It was his second office.”

– Joseph Kincannon
  • “One more favorite photo” courtesy of Pamela Morton
  • “Morton Up Top” courtesy of Joseph Kincannon
Categories
Divine Stone

Another Favorite Photo

Another favorite photo
Cutters on the West Front – Herbert Photo’s, Inc.

Another favorite photo of mine is this one. I don’t know the date of it but likely late 1930’s, sometime prior to the shutdown of work with the arrival of World War II. These cutters are putting the finishing touches on the architectural shapes in this area of the West Front.

They are on this wooden scaffold, above the main doors, focused on the work, preparing it for the carvers. Herbert Photo’s Inc. captured this powerful and majestic image. I can hear the tap-tap of the mallet and hammer on the chisels.

Christ in Majesty west front

The completed work, Christ in Majesty, was likely carved by Rochette & Parzini carver, Mario Tommasi around 1960. Tommasi began his trade at the age of 15 in his fathers shop in Carrara, Italy. Rochette & Parzini were a sculpting, stone carving and modeling firm located in New York.

  • Favorite Photo Credit – © Indiana Limestone Company. Courtesy, Indiana Geological and Water Survey, Indiana University, Bloomington, Indiana. ILCO ID number NY4442-5-0